See how good you can REALLY be!
The Fretlight Guitar Blog
The Fretlight Guitar Blog

Eric Mantel ‘Tribute’ Contest!

Hey Fretlight players, check this out! We would like to congratulate our Fretlight Artist, Eric Mantel, for being signed to Stevie Vai's Favored Nations record label. His album ‘Tribute’ and single ‘Tribute’ have both had great success. In fact, his song ‘Tribute’ has been named one of the top 500 Guitar instrumentals of all time. His talent, hard work and perseverance have led Eric to his success as a player and we truly appreciate having him onboard as a Fretlight Artist.
 
In celebration of his achievments, Eric is having a very exciting contest with tons of ... << MORE >>

What's Your Plan?

Hello again Fretlight players! In this post, I’d like to touch on one of the most important parts of getting the most out of your Fretlight learning experience. After working with the Fretlight system for several years, and using it with students of many different levels, I’ve found that the single most important thing that you must do is to figure out what your goals are as a player. Are you a complete beginner? Maybe a novice player with a little experience? Maybe you’ve been playing for a while but you’re just a rhythm player, or maybe you’ve ...
<< MORE >>

"Fretlight Video Riffs" Are Here!

Hello again Fretlight players! This short post is about one of the coolest new additions that we've made to the Fretlight Guitar Blog, which is the "Fretlight Video Riff". Every week we'll be posting a FREE video for you to download that you can open up through Fretlight Studio (using Video Player)...<< MORE >>

So Many Choices - Part Two

In the previous post, I introduced the concept of using a wide assortment of scales to build a melody on top of a
single chord. All of the examples I outlined in the previous post were designed around answering this one basic question: "If I'm trying to play a melody over just ONE CHORD, what notes can I
use?" In this post I'm going to continue to outline some more of the possibilities that can be explored using this idea, but this time around I'm going to use ...
<< MORE >>

Fretlight in MMR

Musical Merchandise Review recently did an interview with me to talk about Fretlight. It came out in the October 2009 issue and is now available to view online.

Check it out and let me know what you think.
<< MORE >>

So Many Choices...

In this post, I'd like to address a really cool concept that was the subject of a recent private lesson that I taught. Many of my students who study improvisation and write their own music will often ask me "How do I figure out what Scale to play along with these particular chords?" When I'm asked this question, I usually introduce the student to the concepts of "Diatonic Harmony" and "Chords in Key" so that they can learn HOW to recognize the chords that are used to build progressions with each Key. These are music theory concepts that I teach ...<< MORE >>

The Moods Of The Modes - Part Two

In my previous post, I outlined some of the most important points to consider when studying various scales and modes. I outlined some specific song examples for you to work on that focused on the sound of four different types of modes, which were the Dorian mode, the Phrygian mode, the Lydian mode, and the Mixolydian mode. The main goal of my last post was to get you to approach the study of scales and modes as more than just learning how to play different types of finger patterns on the fretboard. Instead, you should approach the study of scales and modes from the perspective of LISTENING to the specific "flavor" or "mood" that each mode creates.<< MORE >>

The Moods Of The Modes

When studying various types of scales or "Modes", one thing to keep in mind is that every scale type has it's own "flavor" or "mood". When I was first began studying scales many years ago, I found myself falling into a trap that many guitarists fall into: learning many different finger patterns on the fretboard without really LISTENING to the sound of each individual scale. I find that with many players, it's very easy to overlook this essential aspect of understanding WHY the study of different scales is so important. When studying any scale, you should focus on these key ...<< MORE >>

Keeping Your Balance

In my many years of teaching, I've found that the two main reasons why students want to take lessons are these: 1: to develop their knowledge of the music theory principles that are particular to their playing style, or 2: to further develop their technique and physical ability on the instrument. This post addresses the important topic of "keeping your balance" with these two different areas of study. Both technical as well as theoretical pursuits are important when learning any instrument, but for some reason, students of the guitar tend to "march to the beat of their own drummer" and ...<< MORE >>

All That Jazz

When I first started playing guitar and learning about music, I always considered Jazz to be the most "challenging" or "cerebral" style to play, simply because the music always seemed so complex and overwhelming. Then I had a very enlightening lesson with my teacher at the time and he introduced me to what is known as "Modal Jazz". The style of "Modal Jazz" is based around improvised melodies that are created from a specific set of Scales or Modes as opposed to a series of multiple chords that are associated with a single Key center. This means that Modal Jazz ...<< MORE >>