In my previous post, I outlined some of the most important points to consider when studying various scales and modes. I outlined some specific song examples for you to work on that focused on the sound of four different types of modes, which were the Dorian mode, the Phrygian mode, the Lydian mode, and the Mixolydian mode. The main goal of my last post was to get you to approach the study of scales and modes as more than just learning how to play different types of finger patterns on the fretboard. Instead, you should approach the study of scales and modes from the perspective of LISTENING to the specific "flavor" or "mood" that each mode creates.<< MORE >>

When studying various types of scales or "Modes", one thing to keep in mind is that every scale type has it's own "flavor" or "mood". When I was first began studying scales many years ago, I found myself falling into a trap that many guitarists fall into: learning many different finger patterns on the fretboard without really LISTENING to the sound of each individual scale. I find that with many players, it's very easy to overlook this essential aspect of understanding WHY the study of different scales is so important. When studying any scale, you should focus on these key ...<< MORE >>

In my many years of teaching, I've found that the two main reasons why students want to take lessons are these: 1: to develop their knowledge of the music theory principles that are particular to their playing style, or 2: to further develop their technique and physical ability on the instrument. This post addresses the important topic of "keeping your balance" with these two different areas of study. Both technical as well as theoretical pursuits are important when learning any instrument, but for some reason, students of the guitar tend to "march to the beat of their own drummer" and ...<< MORE >>

When I first started playing guitar and learning about music, I always considered Jazz to be the most "challenging" or "cerebral" style to play, simply because the music always seemed so complex and overwhelming. Then I had a very enlightening lesson with my teacher at the time and he introduced me to what is known as "Modal Jazz". The style of "Modal Jazz" is based around improvised melodies that are created from a specific set of Scales or Modes as opposed to a series of multiple chords that are associated with a single Key center. This means that Modal Jazz ...<< MORE >>

Hello again Fretlight players! In this post I'd like to talk about one of the most "organic" parts of becoming a great player and a successful musician. If you've been reading my previous posts, you know that I put a lot of emphasis on learning the "nuts and bolts" of music, and I always stress the importance of studying the concepts of Melody and Harmony and how they are applied to the guitar, but this time around I'd like to touch on something completely different: Think about your favorite players and your favorite music, and then think about ...<< MORE >>