﻿<?xml version="1.0" encoding="utf-8"?><rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns="http://purl.org/rss/1.0/" xmlns:admin="http://webns.net/mvcb/"><channel rdf:about="/rss.aspx"><title>The Fretlight Guitar Blog</title><link>http://blog.fretlight.com</link><description /><dc:publisher>Quick Blogcast</dc:publisher><admin:generatorAgent rdf:resource="http://app.onlinequickblog.com/" /><items><rdf:Seq><rdf:li rdf:resource="http://blog.fretlight.com/2008/09/22/introducing-the-fretlight-video-player.aspx?ref=rss" /><rdf:li rdf:resource="http://blog.fretlight.com/2008/08/26/repetition-repetition-repetition.aspx?ref=rss" /><rdf:li rdf:resource="http://blog.fretlight.com/2008/07/01/its-all-about-taking-chances.aspx?ref=rss" /><rdf:li rdf:resource="http://blog.fretlight.com/2008/05/12/the-magic-of-harmonic-rhythm.aspx?ref=rss" /><rdf:li rdf:resource="http://blog.fretlight.com/2008/05/04/mac-users-its-fretlight-time.aspx?ref=rss" /><rdf:li rdf:resource="http://blog.fretlight.com/2008/03/26/developing-your-musical-vocabulary.aspx?ref=rss" /><rdf:li rdf:resource="http://blog.fretlight.com/2008/02/23/so-youve-had-your-fretlight-for-a-while.aspx?ref=rss" /><rdf:li rdf:resource="http://blog.fretlight.com/2008/02/08/2008-fretlight-product-catalog.aspx?ref=rss" /><rdf:li rdf:resource="http://blog.fretlight.com/2007/11/26/attention-mac-users.aspx?ref=rss" /><rdf:li rdf:resource="http://blog.fretlight.com/2007/11/19/building-blocks--part-four.aspx?ref=rss" /><rdf:li rdf:resource="http://blog.fretlight.com/2007/09/27/building-blocks--part-three.aspx?ref=rss" /><rdf:li rdf:resource="http://blog.fretlight.com/2007/08/26/building-blocks--part-two.aspx?ref=rss" /><rdf:li rdf:resource="http://blog.fretlight.com/2007/08/19/building-blocks--part-one.aspx?ref=rss" /><rdf:li rdf:resource="http://blog.fretlight.com/2007/08/15/freflight-reviews-roundup.aspx?ref=rss" /><rdf:li rdf:resource="http://blog.fretlight.com/2007/07/17/fretlight-on-tv.aspx?ref=rss" /><rdf:li rdf:resource="http://blog.fretlight.com/2007/07/06/playing-songs-the-right-way.aspx?ref=rss" /><rdf:li rdf:resource="http://blog.fretlight.com/2007/06/20/building-technique-with-the-big-60.aspx?ref=rss" /><rdf:li rdf:resource="http://blog.fretlight.com/2007/06/11/a-family-affair.aspx?ref=rss" /><rdf:li rdf:resource="http://blog.fretlight.com/2007/06/05/naming-those-mystery-chords-with-guitarz-66.aspx?ref=rss" /><rdf:li rdf:resource="http://blog.fretlight.com/2007/05/28/line-it-up-with-improviser.aspx?ref=rss" /></rdf:Seq></items></channel><item rdf:about="http://blog.fretlight.com/2008/09/22/introducing-the-fretlight-video-player.aspx?ref=rss"><title>Introducing The Fretlight Video Player</title><link>http://blog.fretlight.com/2008/09/22/introducing-the-fretlight-video-player.aspx?ref=rss</link><description><![CDATA[<p>Optek Music Systems is proud to announce the release of the Fretlight Video Player software. This newest addition to the Fretlight family of software is now available for download directly from the <a target=_blank href="http://www.fretlight.com/Software/fvp.html">Fretlight website</a>. We're very excited about this amazing new piece of software, and believe that it will truly revolutionize the way that people learn to play the guitar.</p> <br><p> <br><p>The Fretlight Video Player provides a truly interactive learning experience for guitarists of all levels. Start by plugging in your Fretlight guitar - you'll see the small guitar icon in the lower left corner of the software ...]]></description><dc:subject>Company info</dc:subject><dc:subject>Products</dc:subject><dc:creator>Nate Comp</dc:creator><dc:date>2008-10-10T01:27:16Z</dc:date></item><item rdf:about="http://blog.fretlight.com/2008/08/26/repetition-repetition-repetition.aspx?ref=rss"><title>Repetition, Repetition, Repetition</title><link>http://blog.fretlight.com/2008/08/26/repetition-repetition-repetition.aspx?ref=rss</link><description><![CDATA[<font size="2" face="Verdana">During the summer I teach at a few music camps where I get to work with young guitar students in a classroom setting. This year, after finishing a two week session at the University of New Hampshire and a one week session at Berklee college in Boston, I really rediscovered my appreciation for the value of repetition when it comes to becoming a better guitarist. In one of my guitar ensemble classes at Berklee, I had the students working on a Steely Dan song that was filled with some pretty complicated chord changes. During one of our rehearsals, ...]]></description><dc:subject>Tips</dc:subject><dc:creator>Nate Comp</dc:creator><dc:date>2008-08-26T20:53:44Z</dc:date></item><item rdf:about="http://blog.fretlight.com/2008/07/01/its-all-about-taking-chances.aspx?ref=rss"><title>It's All About Taking Chances...</title><link>http://blog.fretlight.com/2008/07/01/its-all-about-taking-chances.aspx?ref=rss</link><description><![CDATA[<font size=2></font> <br><div>When I first began playing guitar, I often found myself somewhat overwhelmed with all of the information that I had to absorb. Years later when I began teaching, I found that many of my students would often feel the same way. One thing that I always try to remind my students of (as well as myself) is this: as important as it is to learn the proper techniques and musical concepts that go into learning your instrument, you should never lose sight of the fact that there are some amazing things can be done on the guitar if ...]]></description><dc:subject>Tips</dc:subject><dc:creator>Nate Comp</dc:creator><dc:date>2008-07-01T21:45:22Z</dc:date></item><item rdf:about="http://blog.fretlight.com/2008/05/12/the-magic-of-harmonic-rhythm.aspx?ref=rss"><title>The Magic Of Harmonic Rhythm</title><link>http://blog.fretlight.com/2008/05/12/the-magic-of-harmonic-rhythm.aspx?ref=rss</link><description><![CDATA[<div><font size="2">One of the coolest ways to get the most out of writing and practicing chord progressions is to experiment with ‘Harmonic Rhythm'. The term ‘Harmonic Rhythm' is used to describe
the length or duration of each chord that is played in a progression. By experimenting with different types of harmonic rhythm, a single progression of chords can take on many different sounds. After
many years of playing, I've found that many songs actually use the same combinations of chords, but by changing the harmonic rhythm or duration of each chord, many different variations can be
created.</font></div>
<br>
<div><font size="2">&nbsp;</font></div>
<br>]]></description><dc:subject>Tips</dc:subject><dc:creator>Nate Comp</dc:creator><dc:date>2008-05-12T21:32:06Z</dc:date></item><item rdf:about="http://blog.fretlight.com/2008/05/04/mac-users-its-fretlight-time.aspx?ref=rss"><title>Mac Users: It's Fretlight Time</title><link>http://blog.fretlight.com/2008/05/04/mac-users-its-fretlight-time.aspx?ref=rss</link><description><![CDATA[<p class="MsoNormal" style="MARGIN: 0in 0in 0pt"><font size="3"><font face="Calibri">Today we’ve delivered on one of the most requested additions to our software line-up: <strong>M-Player for
Macintosh</strong>. Now Mac users have a full-featured application to light up songs on the Fretlight guitar. M-Player for Macintosh comes complete with seven popular MIDI demo songs, with hundreds
of popular songs available individually or in bundles on the <a href="http://www.fretlightstore.com/" target="_blank">Fretlight Store</a>.<br></font></font><font size="3"><font face="Calibri"><br>
A free, two week trial is available on the Fretlight website. Mac users can <a href="http://www.fretlight.com/Software/mplayer.html" target="_blank">download it today</a>.</font></font></p>
...]]></description><dc:subject>Product Info</dc:subject><dc:creator>Rusty Shaffer</dc:creator><dc:date>2008-05-05T09:01:59Z</dc:date></item><item rdf:about="http://blog.fretlight.com/2008/03/26/developing-your-musical-vocabulary.aspx?ref=rss"><title>Developing Your Musical Vocabulary</title><link>http://blog.fretlight.com/2008/03/26/developing-your-musical-vocabulary.aspx?ref=rss</link><description><![CDATA[<font size="2">One of the most important concepts that I teach my private students is the development of a good musical vocabulary. A good understanding of musical terms is 
essential, and is often the main difference between just being a ‘guitarist’ and being a ‘musician’. To be able to communicate ideas with other players, you must understand exactly how the
      language of music works. I have many students who know HOW to play their nstruments fairly well, but really have no idea WHAT they are playing. And as much as I applaud them for the physical ability on the instrument, my ...</font>]]></description><dc:subject>Tips</dc:subject><dc:creator>Nate Comp</dc:creator><dc:date>2008-03-26T08:37:10Z</dc:date></item><item rdf:about="http://blog.fretlight.com/2008/02/23/so-youve-had-your-fretlight-for-a-while.aspx?ref=rss"><title>So You’ve Had Your Fretlight For A While…</title><link>http://blog.fretlight.com/2008/02/23/so-youve-had-your-fretlight-for-a-while.aspx?ref=rss</link><description><![CDATA[<div><font size="2">… and you’re having a blast learning new things, but you feel a bit overwhelmed. After all, there is so much to learn, and sometimes it’s hard to know how to organize it all and
really make your practice time count. In this post I’m going to outline four really important ways to get the most out of the Fretlight learning experience.</font></div>
<br>
]]></description><dc:subject>Tips</dc:subject><dc:creator>Nate Comp</dc:creator><dc:date>2008-02-24T14:25:33Z</dc:date></item><item rdf:about="http://blog.fretlight.com/2008/02/08/2008-fretlight-product-catalog.aspx?ref=rss"><title>2008 Fretlight Product Catalog</title><link>http://blog.fretlight.com/2008/02/08/2008-fretlight-product-catalog.aspx?ref=rss</link><description><![CDATA[We've just released the Winter 2008 Fretlight product catalog and emailed it to all the subscribers of our mailing list.  Please join the list if you haven't already so you can receive timely announcements and special promotions. To access the product catalog today, you can download it from fretlight.com. It's a 4MB PDF file and will look great on screen and printed.Thanks,Rusty ...]]></description><dc:subject>Product Info</dc:subject><dc:creator>Rusty Shaffer</dc:creator><dc:date>2008-02-08T12:02:14Z</dc:date></item><item rdf:about="http://blog.fretlight.com/2007/11/26/attention-mac-users.aspx?ref=rss"><title>Attention Mac Users!</title><link>http://blog.fretlight.com/2007/11/26/attention-mac-users.aspx?ref=rss</link><description><![CDATA[<div>In an effort to better serve our Mac customers, we're looking to get some user feedback from Fretlight guitarists who are running Parallels Desktop for Mac. Just tell us which version of
Parallels you are using, which version of the Mac OS you are using, and the specific Fretlight software that you are using. Most importantly, tell us what you think about learning guitar the
Fretlight way. We're looking for some honest user feedback in an effort to get a dialog happening in this blog with our Mac customers. 
...</div>]]></description><dc:subject>Products</dc:subject><dc:creator>Nate Comp</dc:creator><dc:date>2007-11-26T17:09:09Z</dc:date></item><item rdf:about="http://blog.fretlight.com/2007/11/19/building-blocks--part-four.aspx?ref=rss"><title>Building Blocks - Part Four</title><link>http://blog.fretlight.com/2007/11/19/building-blocks--part-four.aspx?ref=rss</link><description><![CDATA[<div>In the previous three posts, I outlined several different ways to develop your knowledge of intervals on the neck of the guitar. My all time favorite tool for practicing intervals on the guitar
is the Interval Training tool found in AxMaster. The great thing about this tool is that it is designed to help you develop several different areas all at once: Your understanding of note locations
on the fretboard (fretboard knowledge), your ability to play the many different types of intervals used in music (both major scale intervals and altered intervals), and also your ability to hear the
difference ...</div>]]></description><dc:subject>Tips</dc:subject><dc:creator>Nate Comp</dc:creator><dc:date>2007-11-19T11:47:25Z</dc:date></item><item rdf:about="http://blog.fretlight.com/2007/09/27/building-blocks--part-three.aspx?ref=rss"><title>Building Blocks - Part Three</title><link>http://blog.fretlight.com/2007/09/27/building-blocks--part-three.aspx?ref=rss</link><description><![CDATA[<div>In the previous <a href="http://blog.fretlight.com/2007/08/19/building-blocks--part-one.aspx">two</a>&nbsp;<a href=
"http://blog.fretlight.com/2007/08/26/building-blocks--part-two.aspx">posts</a>, I outlined the difference between Major Scale Intervals and Altered Intervals. Now it's time to put all of this stuff
on the neck of the guitar. One of the best tools for studying intervals can be found in the Chord/Scale Library section of the <a href="http://www.fretlight.com/Software/lessonplayer.html">Fretlight
Lesson Player</a>. Begin by opening up Lesson Player and clicking on the menu button that says "Chords And Scales".<br>
<br>
<br>
<div>This will take you to the Chord/Scale Library section. Scroll down the page until you find the section labeled "Intervals":<br>
<br>
<br>
<div>Let's begin by working with Intervals from the Root ...</div></div></div>]]></description><dc:subject>Tips</dc:subject><dc:creator>Nate Comp</dc:creator><dc:date>2007-09-27T20:47:40Z</dc:date></item><item rdf:about="http://blog.fretlight.com/2007/08/26/building-blocks--part-two.aspx?ref=rss"><title>Building Blocks - Part Two</title><link>http://blog.fretlight.com/2007/08/26/building-blocks--part-two.aspx?ref=rss</link><description><![CDATA[<div>Once you have spent some time working with Major Scale
intervals, then it's time to move on to some more advanced ideas
using "Altered Intervals". Essentially, an altered interval is any
interval that is not found in the Major Scale. Each altered
interval is created by raising or lowering a Major Scale interval
by a half step. Let's begin with altered intervals that are created
by lowering a Major Scale interval by a half step.</div>
<br>
<div>The first altered interval to learn is the Minor 2nd. This
interval is often called a "Flatted 2nd" (abbreviated b2nd). To
create a Minor 2nd ...</div>
]]></description><dc:subject>Tips</dc:subject><dc:creator>Nate Comp</dc:creator><dc:date>2007-08-27T20:06:44Z</dc:date></item><item rdf:about="http://blog.fretlight.com/2007/08/19/building-blocks--part-one.aspx?ref=rss"><title>Building Blocks - Part One</title><link>http://blog.fretlight.com/2007/08/19/building-blocks--part-one.aspx?ref=rss</link><description><![CDATA[<p>The study of intervals is one of the most important parts of
developing a deeper understanding of music and the guitar in
general. A good knowledge of intervals will help you to further
develop your knowledge of various chords and scales, and will
greatly improve your ears. The ability to hear the sound of
different intervals is an important part of developing you skills
as a musician.</p>
<br>
<p>An interval is nothing more than the distance between two
specific notes or pitches. I like to think of the study of
intervals as a "musical yardstick". By learning the many different
...</p>
]]></description><dc:subject>Tips</dc:subject><dc:creator>Nate Comp</dc:creator><dc:date>2007-08-19T15:15:42Z</dc:date></item><item rdf:about="http://blog.fretlight.com/2007/08/15/freflight-reviews-roundup.aspx?ref=rss"><title>Fretlight Reviews Roundup</title><link>http://blog.fretlight.com/2007/08/15/freflight-reviews-roundup.aspx?ref=rss</link><description><![CDATA[<div>Fretlight continues to get very positiive reviews from guitar
publications and blogs along with more general news outlets.&nbsp;
I posted a few <a href=
"http://blog.fretlight.com/2007/07/17/fretlight-on-tv.aspx">last
month</a>. Here are some more recent ones.<br>
<br>
<a href="review:" target="_blank" guitar="" for="" system=""
learning="" interactive="" fretlight="">San Jose Mercury News -
Review: Fretlight Interactive Learning System for guitar</a><br>
<br>
<a href=
"http://machinist.salon.com/feature/2007/08/15/guitar_hero/"
   target="_blank">Salon.com - How Guitar Hero saved guitar
   music</a><br>
<br>
<a href="http://webetur.com/content/node/2632" target="_blank">We
Bet U R - Lighted guitar makes learning fun and easy -
review</a><br>
<br>
<a href="http://www.techiecrossing.com/article/index.php?id=370040"
target="_blank">Techiecrossing - Fret It</a></div>
...
]]></description><dc:subject>Press Coverage</dc:subject><dc:subject>Company info</dc:subject><dc:creator>Rusty Shaffer</dc:creator><dc:date>2007-12-07T14:20:46Z</dc:date></item><item rdf:about="http://blog.fretlight.com/2007/07/17/fretlight-on-tv.aspx?ref=rss"><title>Fretlight on TV</title><link>http://blog.fretlight.com/2007/07/17/fretlight-on-tv.aspx?ref=rss</link><description><![CDATA[<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT size=2>Hi. I’m Rusty Shaffer, founder and CEO of Optek Music Systems. This is my first post on the Fretlight Blog but plan to do quite a few more. Nate will continue to focus his posts on helping you get the most from your Fretlight with his educational tips and tricks. My posts will cover more about the market response to Fretlight and our new product introductions.<BR></FONT><FONT size=2><BR>This week I want to provide a quick update on some great meetings I had last week with some journalists in the SF Bay Area. I’ve demoed Fretlight ...]]></description><dc:subject>Press Coverage</dc:subject><dc:subject>Company info</dc:subject><dc:subject>intros</dc:subject><dc:creator>Rusty Shaffer</dc:creator><dc:date>2007-08-19T15:39:30Z</dc:date></item><item rdf:about="http://blog.fretlight.com/2007/07/06/playing-songs-the-right-way.aspx?ref=rss"><title>Playing Songs The "Right" Way</title><link>http://blog.fretlight.com/2007/07/06/playing-songs-the-right-way.aspx?ref=rss</link><description><![CDATA[<P>One of the most confusing aspects of learning to play songs on the guitar is that many tunes can be played more than one way. I often have private students who have learned how to play songs on their own that I play a completely different way. This often leaves the student with the impression that they're playing something 'wrong' and I must be 'right', but most of the times this isn't true. The guitar is one of the few musical instruments that is full of 'unisons', and this can lead to endless arguments among guitarists about the 'right' way ...]]></description><dc:subject>Tips</dc:subject><dc:creator>Nate Comp</dc:creator><dc:date>2007-07-06T13:14:13Z</dc:date></item><item rdf:about="http://blog.fretlight.com/2007/06/20/building-technique-with-the-big-60.aspx?ref=rss"><title>Building Technique With "The Big 60"</title><link>http://blog.fretlight.com/2007/06/20/building-technique-with-the-big-60.aspx?ref=rss</link><description><![CDATA[<P><FONT size=3>Building good guitar technique requires patience and motivation. I find that many of my private students expect to build amazing technique in a matter of weeks, and when it doesn't happen right away, they begin to lose there drive to practice. It is important that you remain dedicated to a steady practice routine, and try not to get too caught up in how long it will take you to reach your goals. ]]></description><dc:subject>Tips</dc:subject><dc:creator>Nate Comp</dc:creator><dc:date>2007-10-01T00:02:19Z</dc:date></item><item rdf:about="http://blog.fretlight.com/2007/06/11/a-family-affair.aspx?ref=rss"><title>A Family Affair</title><link>http://blog.fretlight.com/2007/06/11/a-family-affair.aspx?ref=rss</link><description><![CDATA[<P>Growing up in a very musical family, I consider myself fortunate for having the support of my parents as well as my older brother when I decided that I wanted to play guitar. Looking back, I realize that having the support of my family in those first few formative years was the single most important part of my early growth as a player. ]]></description><dc:subject>Tips</dc:subject><dc:creator>Nate Comp</dc:creator><dc:date>2007-06-11T09:29:39Z</dc:date></item><item rdf:about="http://blog.fretlight.com/2007/06/05/naming-those-mystery-chords-with-guitarz-66.aspx?ref=rss"><title>Naming Those 'Mystery Chords' With Guitarz 6.6</title><link>http://blog.fretlight.com/2007/06/05/naming-those-mystery-chords-with-guitarz-66.aspx?ref=rss</link><description><![CDATA[<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT size=3>One of the questions that I often get when working with my private students is "What is this chord I‘m playing?" I find that many guitarists who spend time writing their own original songs will often create interesting chord voicings that sound great but they have no idea what the chords they are playing are actually called. Part of my job as a teacher is to be able to explain to each student HOW different chords are named and more importantly, exactly WHAT goes into building the many different types of chords used in ...]]></description><dc:subject>Tips</dc:subject><dc:creator>Nate Comp</dc:creator><dc:date>2007-08-19T15:16:44Z</dc:date></item><item rdf:about="http://blog.fretlight.com/2007/05/28/line-it-up-with-improviser.aspx?ref=rss"><title>Line It Up With Improviser</title><link>http://blog.fretlight.com/2007/05/28/line-it-up-with-improviser.aspx?ref=rss</link><description><![CDATA[<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT size=3>If you've ever walked into a music store and picked up a guitar scale book, you'll notice that almost every method&nbsp;teaches scales by position. While position playing is certainly important, one of the most overlooked aspects of scale practice is single string scale playing, also known as linear playing. While most intermediate guitarists are proficient with position scales or "box" scales, many players never develop the ability to play scales on a single string. Linear playing is an important skill to develop for many reasons. The obvious advantage of linear playing is that it ...]]></description><dc:subject>Tips</dc:subject><dc:creator>Nate Comp</dc:creator><dc:date>2007-05-28T21:41:55Z</dc:date></item></rdf:RDF>